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AI composers might just be the next big thing in music


TNW
Syndication Artificial Intelligence
good?When
Deloitte
AI
McKinsey
Google
ML
The Warner Music Group
Endel
Billboard’s
Warners
Sony Computer Science Laboratory
CSL
DrumNet
Convolutional Gated Auto Encoders
Magenta
Flow Machines
Hadoop
NexSoftSys.com


James Warner
Johann Sebastian Bach’s
Alan Turing
Adobe CC
PixTeller
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ML


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The New York Times
SOURCE: https://thenextweb.com/syndication/2020/02/04/ai-composers-might-just-be-the-next-big-thing-in-music/
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Summary

There’s only one question left to wonder about, how much will AI take over an existing industry and change it for the good?When it comes to music, artificial intelligence is spreading its network in the industry in the same manner as it’s doing in other areas of society. Not just this, but the adoption of AI is also because of the traditional way music labels make money.For example, let’s suppose that a music label produces a song that earns around 100,000 dollars gross revenue in a quarter. The idea isn’t a distant one.The Warner Music Group recently signed the sound startup Endel that uses artificial intelligence to make personalized audio tracks. This real-world example demonstrates the potential of AI in the music industry and how the coming generation can be ruled by ML artists.So far, artificial intelligence backed music projects have been the research objective of a few organizations. The ML model is also based on a series of Convolutional Gated Auto Encoders and adjusts the tempo and timing of the output based on the input.Even though the intervention of AI in the music industry sounds relatively new, it was Alan Turing in 1951 who was the first to record computer-generated music, using a machine that was large enough to fill an entire lab. The next step is to utilize reinforcement learning to enable the algorithm to learn characteristics and patterns that make music enjoyable.On the same tracks, AI keeps the power to compose new music and tracks by combining elements in unique ways.

As said here by James Warner