Please disable your adblock and script blockers to view this page

Scientists found these old photographs contain metallic nanoparticles


the University of New Mexico
Rice University
the Metropolitan Museum of New York
The Met
Giphantie
the Lycurgus Cup
King Lycurgus of Thrace
Plasmonic
Manjavacas
PNAS
the Ars Orbital Transmission
CNMN Collection WIRED Media Group
Condé Nast


Jennifer Ouellette
Jun 12
Daguerreotypes
Alejandro Manjavacas
Andrea Schlather
Charles-Francois Tiphaigne de la Roche
Nicephore Niepce
Louis Daguerre
Abraham Lincoln
Emily Dickinson
Michael Robinson
Ars Technica Addendum


Roman
Romans


Venus
Nast

No matching tags


Albuquerque
US
Manjavacas
Niepce
Schlather


the American Civil War
the Lycurgus Cup

Positivity     33.00%   
   Negativity   67.00%
The New York Times
SOURCE: https://arstechnica.com/science/2019/06/19th-century-nanotech-changing-hues-of-daguerrotypes-due-to-nanoparticles/
Write a review: Ars Technica
Summary

And no two daguerreotypes are exactly the same."Daguerreotypes, unlike other types of photograph, rely on light scattering by metallic nanoparticles to create an image that projects off a reflective silver substrate," the authors wrote. Those nanoparticles change how the electrons in the cup vibrate in response to light so that the color one sees shifts with the observer's vantage point."The Romans knew that if they added salt when they melted the silicon (sand) to make the glass, those salts contain gold atoms," said Manjavacas. That's how any stained glass is made." It's similar to how the precise lattice-like structure of photonic crystals produces iridescent colors in nature, like the wings of butterflies, or opals.Like the Lycurgus Cup, the unusual color properties of 19th-century daguerreotypes are the result of the scattering properties of nanoparticles, according to Manjavacas. "In our case, the scattering of the particles has a strong dependence on the substrate," said Manjavacas.The team also discovered that if they coated the surface of the daguerreotype with a layer of gold, the colors shifted more to the red side of the spectrum. That's in keeping with a 19th-century trick called "gilding," in which the photographer would apply a solution of gold salt to the image to achieve warmer tones and sharper contrast.Plasmonic nanoparticles (gold, silver, and platinum, most notably) are "tunable," because one can alter their size and shape to tweak the optical properties of the metallic material.

As said here by Jennifer Ouellette